Loft interior featured in San Antonio Express-News

This article was written by Megan Stacy, and first appeared in the San Antonio Express-News on July 11, 2010.

SPACES: From candy factory to living space (2nd of 3 posts)

interior decorator san antonio loft

A row of cowboy hats on the headboard in the master bedroom is a decidedly Texan touch for a bed neatly made up with throw pillows upholstered in the Union Jack flag.

“The Allegas purchased the loft sight-unseen while abroad but wanted to move into a home ready for living. They hired Julie Risman of The Inside Story Design and began what Risman calls a ‘digital design relationship.’

“’They wanted something easy, fun and modern,’ she says. By the time the Allegas moved in, 80 percent of the home design was complete, all conducted via e-mail and phone calls. Risman calls the design ‘an homage to where they’ve been and where they come from.’ For example, the living room is anchored by a contemporary burnt orange leather couch, which reminds the couple of their connection to the University of Texas at Austin, where they met.

for more information on interior design for lofts, contact Julie Risman

loft interior design san antonio

An art piece from France hangs in the dining room.

“A black leather lounge chair reclines in one corner beneath a picture of Philip’s favorite London bridge and of a poster advertising the New Orleans Jazz Festival. The staircase to the basement level is lined with framed Fiesta posters, each from a year representing a milestone: Philip’s first Fiesta, the year they fell in love with the Southtown area, the year they moved to San Antonio.

“The couple’s 4-year-old son, Austin, has a bedroom in the basement. The room is whimsically decorated with furniture painted with images from The Adventures of Tintin, a cartoon series wildly popular in Europe. Having experienced different ways of living on their travels, the Allegas are happy to have landed in an urban space with a vibrant social community.”

…to be continued…

contact Julie Risman

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Inside Story Design client featured in San Antonio Express-News

This article was written by Megan Stacy, and first appeared in the San Antonio Express-News on July 11, 2010.

SPACES: From candy factory to living space (1st of 3 posts)

san antonio loft decorator

The bottom floor of an old building at Judson Candy Factory Lofts is the home of Ann and Philip Allega. The building was an Italian grocery owned by the Granieri family.

“Take a tour of Ann and Philip Allega’s downtown loft and it won’t take long to figure out what this couple is all about. There’s the row of cowboy hats on the headboard in the master bedroom — a decidedly Texan touch for a bed neatly made up with throw pillows upholstered in the Union Jack flag. The Allegas are travelers, food lovers and cultural explorers who most recently called London home.

“Last year they moved to San Antonio — Ann Allega’s hometown — wanting an urban lifestyle in a part of the city they had learned to love on previous visits.

for more information on decorating a loft, contact Julie Risman.

“The home they bought is part of the Judson Candy Factory Lofts redevelopment project on South Flores Street. Their home is not in the old factory but in a property next door, which dates to the 1890s and housed an Italian grocery store owned by the Granieri family.

loft interior decorator san antonio

The living room is anchored by a contemporary burnt orange leather couch, which reminds the couple of their connection to UT-Austin, where they met.

“The 2,000-square-foot loft nods to the building’s history. One long wall was left untouched, exposing original 18-inch-thick red brick masonry. Caliche walls in the loft’s basement also were undisturbed.

“But the rest is thoroughly modern, with sleek finishes of glass, wood and cement. ‘Even though the building is 100-some years old, the place is new,’ Ann Allega says.”

…to be continued…

contact Julie Risman

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Inside Story Design Client Featured in SA Express News

The Inside Story Design Featured in “Spaces” Section of the July 11th San Antonio Express News

I am thrilled to let you know that my work will be featured in an article in the Sunday, July 11th edition of the SA Express News.

san antonio lofts interior designI recently decorated one of the fabulous urban lofts that were converted from the former Judson Candy Factory on South Flores Street. If you haven’t been down to this part of town, be sure to plan a visit – there’s just so much to see and do.

Near both the King William Historic District and the Blue Star Arts Complex, South Flores Street has become a hip, close-in destination for folks seeking a convenient and fun lifestyle in San Antonio. There are new lofts, restaurants and nightclubs popping up everywhere.

Here’s a bit of the history behind these newly created urban lofts:

decorating lofts san antonio“In 1899, E.J. Jenner opened Jenner Manufacturing Company on St. Mary’s Street. Mr. Jenner made hard stick candies, peanut brittles, and 5 cent fudge bars.

“About 1920, J.W. Judson’s bought part ownership of the company and constructed a new factory on part of the old Judson’s Ranch, which is now South Flores Street. In the 30′s Judson’s added a starch department and started manufacturing candies with jelly and creme centers such as fruit drops, orange slices, jelly beans, and Easter eggs. Mr. Judson’s started experimenting, trying to make a more tart jelly bean, and ended up inventing the “sour”, one of the company’s most popular items.

“In 1941 J.W. Judson’s sons purchased the company from Mr. Jenner and in 1945 changed the name to Judson’s Candies. Mr. Judson’s son George Jr. then invented another popular item, the chewy praline. Pralines used to be prepared by scooping the batter with an ice cream scooper, however that process was mechanized using an electronic depositor developed by Southwest Research Institute.

“In 1965 Judson’s Candies was purchased by the Pearl Brewing Company, which was then purchased by Southdown, Inc. In July 1983, Judson’s Candies was purchased by Basil Atkinson Sr., Dr. Basil Atkinson Jr., and the family, and renamed Judson-Atkinson Candies. In 1998, the company moved from South Flores to its present location on Dividend.” (Sweet City Living)

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Art Nouveau Furniture (part 3)

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Henri ven de Velde chair

“Art Nouveau was a response to the radical changes caused by the rapid urban growth and technological advances that followed the Industrial Revolution.” (National Gallery of Art-US)

“The Art Nouveau style appeared in the early 1880s and was gone by the eve of the First World War. For a brief, brilliant moment, Art Nouveau was a shimmering presence in urban centers throughout Europe and North America.

“It was the style of the age – seen on public buildings and advertisements, inside private homes and outside street cafés – adorning the life of the city.

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Victor Horta Art Nouveau staircase

“In furniture, its early exponents were the Belgian architects Henry van de Velde and Victor Horta, who furnished the interiors of their buildings with pieces designed to complement the sinuous forms of the architectural settings.

“The noted glassmaker Émile Gallé also designed some of the most opulent Art Nouveau furniture, in which plant and flower motifs predominate. Louis Majorelle produced luxurious furniture, again inspired by forms from nature, and went on to become a notable Art Deco designer after World War I (1914-1918).

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Hector Guimard, Paris Metro entrance

“In France, the architect Hector Guimard, creator in 1900 of the graceful Métro (subway) stations in Paris, also designed similarly asymmetrical, heavily carved free-form furniture.

“The Scottish architect Charles Rennie Mackintosh produced, in his unique interpretation of Art Nouveau, chastely beautiful furniture. Characteristic pieces are of oak painted white, with elegant inlays and appurtenances of metal or stained glass in curvilinear, abstracted plant forms.” (France Era Co.)

Art Nouveau Furniture References:

>> contact Julie Risman


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Charles Mackintosh fireplace

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Art Nouveau Furniture (part 2)

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Siegfried Bing

Siegfried Bing began his career as a collector of Japanese Art and he played an important role in the diffusion of the Asian Art among Art Nouveau artists, as well as among many artists representing other styles, such as the Symbolist, the Neo- and Post-Impressionists and later the Expressionists.

“Around 1894, Bing was organizing art salons, workshops and exhibitions for contemporary artists and decorative designers. He followed by showing furniture, art works, paintings and sculptures all in the same exhibition hall: La Maison Bing (the House of Bing).

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L'Art Nouveau - La Maison Bing

“By 1895, the name of the Gallery was known as L’Art Nouveau – La Maison Bing. Siegfried Bing aimed to enhance and develop in particular the emerging, innovative and modern Art Nouveau style. This new artistic style included fine arts, applied arts and interior decoration and represented the original concept of the “total work of art“, harmoniously aiming to the abolition of ranks of value between the different types of arts.

“In his gallery “L’ Art Nouveau – La Maison Bing”, he then exhibited and sold contemporary works, furniture, glass wares, ceramics, jewelry, such as glass works of Louis C. Tiffany or ceramics and jewelry of Henri van de Velde.” (Senses Art Nouveau)

… to be continued …

Art Nouveau Furniture References:

>> contact Julie Risman

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Art Nouveau Furniture (part 1)

art nouveau san antonio“Art Nouveau is style of decoration and architecture which developed in the 1880s and 1890s. The name derives from the Maison de l’Art Nouveau, an interior design gallery opened in Paris in 1896, but in fact the movement had different names throughout Europe.

“In Germany it was known as ‘Jugendstil‘, from the magazine Die Jugend (Youth) published from 1896; in Italy ‘Stile Liberty’ (Liberty Style, after the London store Liberty & Co.) or ‘Stile Fioreale’; in Spain ‘Modernista’, and in Austria ‘Sezessionstil‘.

“In France it was variously called ‘Style Jules Verne’, ‘Le Style Métro‘ (after Hector Guimard’s iron and glass subway entrances), Art Belle Époque, and Art Fin de Siècle. Paradoxically, the English term ‘Modern Style’ was often used, emphasizing the English origins of the movement.” (The Artchive)

“Directly fostered by the Arts and Crafts movement, Art Nouveau flourished between the 1890s and 1910 in all of the arts. Art Nouveau may be characterized as a style derived from organic forms that convey a sense of movement, exemplified by the famous “whiplash” curve found in many Art Nouveau works.” (France Era Co.)

art nouveau style san antonio“In design Art Nouveau was characterized by writhing plant forms and an opposition to the historicism which had plagued the 19th century. There was a tension implicit throughout the movement between the decorative and the modern which can be seen in the work of individual designers as well as in the chronology of the whole. Its emphasis on decoration and artistic unity links the movement to contemporary Symbolist ideas in art, as seen in the work of the Vienna Secessionists, but the movement was also associated with Arts and Crafts ideas and, as such, Art Nouveau forms a bridge between (William) Morris and (Walter) Gropius.” (The Artchive)

… to be continued …

Art Nouveau Furniture References:

>> contact Julie Risman

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Choosing the Correct Size Oriental Rug for your Stair Runner

The following is the last in a series of wonderful articles from Azerbaijan Rugs – this one on selecting the proper size of an Oriental Rug for your stairs. Enjoy!

san antonio oriental rug

“Most runners measure about 2’6″ wide. Runners can be as narrow as 2′ or wider than 3′, but as widths diverge from 2’6″, the availability and selection of runners decreases.  There is also a slight tendency for runner width to increase as runner length increases. It is not uncommon, for instance, to find 18′ or 20′ runners that measure 2’8″ or 2’9″ in width.

Older runners (rugs from the 1920′s and 30′s) were often wider, often wider even than 3′. It is not unusual to find an older Hamadan or Kurdish runner that has been reduced in width by having guard borders removed from the sides to make it fit in a space in an American home. It is rare to see new runners longer than 22′ or 24′.

Stairs consist of treads and risers.

Stairways are almost always laid out so that risers are of equal height. A difference of 1″ in the height of a riser in the middle of a stairway is huge – you would constantly be stumbling on this step going up or down stairs.

Choose the right size rug for any room with help from Julie Risman.


In contrast, a difference of 1″, 2″, or even 3″ in the depth of a tread somewhere in the stairway is almost unnoticeable. Treads can be of several different depths in the same stairway. It is not uncommon for there to be one or two wider, deeper treads at the bottom of the stairway.

Quite often a tread-and-riser combination will work out to be very close to 18″ total (10″ for the tread and 8″ for the riser). Thus a stairway with 12 tread-and-riser combinations would need 12 combinations times 18″, plus an allowance for how you will start/end the rug.

But remember that treads can vary in depth! Thus, to accurately estimate the length of runner needed to cover the stairs you need to measure 1) the depth of each tread (in case they vary) and 2) the height of each riser.

By far the easiest way to measure the runner length you need is to use a long, flexible 50′ or 100′ tape measure. Tape the end of the tape measure at the top of the stairs where you want the runner to start, then flow the tape measure down the stairs simulating the path the runner will take. Take the length from the point where you want the runner to end.

Be sure to measure the risers on the diagonal from the “nose” or lip of one tread to the point below where the bottom of the riser and the next tread meet. This is because, when installed, the runner will flow from the nose of one tread to the corner formed by the riser and tread below. The runner doesn’t get tucked under the nose tight to the riser.

Some adjustments to the rough estimate of length may need to be made, depending upon where the  runner begins and/or ends on the stairs.  There are several different ways to begin/end the runner:

san antonio oriental rug

Fig. 1:  The rug begins on the landing at the top of the stairs and continues onto the floor at the bottom of the stairs. There are two treads (we don’t count the landing at the top as a tread) and three risers.

You must add the amount the rug extends on the top landing and on the floor at the foot of the stairs to the total for treads and risers covered. Assuming 10″ treads, 8″ risers, and 12″ of runner on the top landing and on the floor at the foot of the stairs, this arrangement needs a runner that measures about 68″, not counting fringe.

NOTE there is a SAFETY ISSUE with this arrangement. You must have enough runner extending onto the top landing to make the landing safe. A mere 6″ or 8″ of runner on the top landing is not nearly enough: this is a foot-catcher and an accident (and/or lawsuit) waiting to happen.

austin oriental rug

Fig. 2:  The rug begins just under the “nose” or overhang of the landing, and ends at the bottom of the bottom riser. This is probably the most common runner arrangement.

The original fringe is left on the rug, NOT cut off! The fringe is tucked behind the rug at both the top and bottom.

In this case the runner needs to cover two treads and three risers. This runner needs to measure about 44″.

san antonio oriental rug

Fig. 3:  In this arrangement the runner begins as in Fig. 2, but ends on the bottom tread. The fringe hangs down from the nose of the bottom tread (this is the least common end arrangement). The runner covers two treads and two risers. It needs to be about 36″ long.

Of course, other arrangements are possible… you can combine the top of Fig. 1 with the bottom of Fig. 2 or Fig. 3, etc., etc.

Start by measuring the stairs, and then think about how you might want to begin and end the runner.  Considering these options will help you determine a runner size to search for. Unfortunately, because Oriental rugs are all handmade and not cut-to-length, you probably won’t find a runner that you really like in precisely the size you need.

All is not lost! First find a runner that you like, and that’s as close as possible to the theoretical size you need. Then adjust the installation of the rug to take up extra length if the rug is too long (as in Fig. 1), or to cover fewer risers (as in Fig. 3). It’s just that easy!

NOTE: It is not so easy to adapt an Oriental runner to fit on circular stairs or stairways with curved sections and pie-shaped treads, and the results are rarely satisfactory. It would be much better to install a runner on the straight section(s) of the stairs, and carpet the turns with wall-to-wall.

Practical designs and colors for the stairs

Stair runners usually get heavy traffic, and once installed, it can be many years before a runner is removed for a complete cleaning. When it comes to concealing dirt, the most camouflaging design is the darkest and busiest pattern you can find.

Try the penny test: close your eyes and drop a penny on the rug. If it takes a second or two to find it, the rug is perfect! Its design and color combination will hide years and years of traffic.

Medallion designs on the stairs

Rug buyers are sometimes worried about using runners with repeated medallion designs on the stairs because almost never will the medallions fall regularly on the treads. Surprisingly, this is actually not much of an issue.

In fact, it does not look odd to have the first medallion fall on a tread, the next between a tread and riser, and so on.  You will be able to see and appreciate the intention of the design whether climbing or descending the stairs.”  (Azerbaijan Rugs)

Oriental Rug References:

>> contact Julie Risman

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Original Art – Marnelle North

Marnelle North


san antonio original art

"Woodland Embrace" by Marnelle North

I am thrilled to be representing an artist that I truly love.  Marnelle North is originally from Texas, but now lives in Arizona.

Born and raised in Texas, Marnelle had an inner sense of artistic expression from an early age.

As a young child, she could often be found in her room surrounded by various art media, creating vivid works of imagination. At the age of 11, Marnelle entered the San Antonio Riverwalk Art Show and sold over a dozen pieces of her work, selling out of everything she brought. (read more about artist Marnelle North)

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"Canyon Walls" by Marnelle North

Marnelle works primarily with acrylics, and her style works in both traditional as well as contemporary settings.   She uses wonderfully vivid colors, many which evoke the look and feel of the Texas Hill Country.

I am temporarily consigning two of her pieces — Canyon Walls and Woodland Embrace — in my design studio.  If you are interested in owning a powerful work of original art, please contact me to arrange a viewing.

san antonio original art

"Blue Chair" by Marnelle North - SOLD

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Choosing the Correct Size Oriental Rug for your Dining Room

The following is another wonderful article from Azerbaijan Rugs on selecting the proper size of an Oriental Rug for your dining room – enjoy!

san antonio oriental rug“The following illustrations show a dining room rug, dining table, and six chairs. The dining table measures a standard 42″ x 64″.

Note that if the rug measures 8′ x 10′, there is room to pull the chairs out from the table with the back legs of the chairs remaining on the rug.

Choose the right size rug for any room with help from Julie Risman

alamo heights oriental rug

Once the chair’s rear legs go off the rug, it’s difficult to sit down and scootch the chair in to the table while simultaneously lifting the back legs.

A rug measuring 8′ x 10′ is usually the size to start with in a dining room, but note that other considerations can effect the proper dimensions.

Don’t forget about the extra leaves in the table

If you frequently use the table with extra leaves inserted, the 10′ length can be too short, since the back legs of the chairs at the end of the table leave the rug when the chairs are pulled out.

Keep servers, sideboards, and corner cupboards on the level

It’s usually best to size the dining room rug so that it doesn’t go under the front of the server, sideboard, or corner cupboard. If only the front of one of these pieces sits on the rug, then you’ll probably need some sort of wooden or hard rubber shim under the rear legs to make the piece sit straight and level.

Try a 6′ x 9′ rug for a dining room that’s rarely used

If all the mealtime activity in your home takes place in an eat-in kitchen, you can probably live happily with a smaller rug under the table in the dining room.

A 6′ x 9′ rug will usually hold a table and chairs comfortably, and will look well when the chairs are pushed in to the table; it’s only when you pull the chairs out and partially off the rug that the problem surfaces…

Consider a less expensive rug for the dining room

We experience rugs in different ways in different rooms. A good rug is a real plus in the room where you spend lots of time. When you’re there alone, there will come contemplative moments when you find yourself pondering the rug. When you are entertaining, there is the inevitable lull in the conversation during which everyone admires the carpet.

A rug in the dining room is experienced much more peripherally than in other areas of the house. Most of the time in the dining room is spent eating and conversing, not paying special attention to the design of the wallpaper or carpet. Think about buying a less expensive rug for this room.

Dining Room carpets tend towards all-over patters

Rugs destined for use in dining rooms often seem to end up with all-over designs. It makes some sense that this is so. With the table and chairs covering the center of the carpet, there can be a little psychological mystery about what lies in the center of the rug.

Is that a central medallion in the design under the table, a forgotten napkin, or a sleeping cat? A rug with an all-over pattern eliminates the mystery.” (Azerbaijan Rugs)

Oriental Rug References:

>> contact Julie Risman

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Choosing the Correct Size Oriental Rug for your Bedroom

The following is another wonderful article from Azerbaijan Rugs on selecting the proper size of an Oriental Rug for your bedroom – enjoy!

san antonio oriental rug
“Let’s say that we are designing for a 12′ x 15′ master bedroom with a queen size bed (60″ x 80″). What size Oriental Rug will this bedroom accommodate?

The room will certainly take a 9′ x 12′ carpet, and maybe even a 10′ x 14′. But – do we really want to do this?

Let Julie Risman help you choose the right size rug for any room.

alamo heights oriental rug

No matter how we arrange the bed, we’ll cover a good chunk of the carpet, meaning that we won’t really get to enjoy the full beauty and utility of the rug. There is also the problem of the inevitable dust bunnies that will come to live under the bed. It’s much easier to clean a bare floor!

Instead of a big carpet in the bedroom, consider using several scatter rugs to fill areas around the bed as needed.

For instance, a 4′ x 6′ at the foot of the bed and a 2’6″ x 10′ runner and 3′ x 5′ runner on either side of the bed means that you can still roll out of bed onto a soft, warm, lovely Oriental rug. And you’ve only paid for 64 sq. ft. of rug, rather than of 108 sq. ft.!” (Azerbaijan Rugs)

Oriental Rug References:

>> contact Julie Risman

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