A “Primer” on Colors

Seems that one of the things that everyone asks me about is “what designer colors are ‘in’ right now?”  I must admit that I do have my favorite “go to” colors, but there are so many factors involved in color decisions:  the lighting of a space, the colors already in the room that can’t be changed, the homeowner’s favorite colors (often the colors found in their wardrobes), and many other factors influence which colors work and which ones don’t.

Sherwin-Williams regularly publishes a list of their most popular colors, which is an interesting way of learning what colors other people are using.  The most popular SW colors of 2009 were:

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Dover White Kilim Beige Antique White Navajo White Softer Tan
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Alabaster Pure White Latte Nomadic Desert Divine White
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Macadamia Interactive Cream Moderate White Believable Buff Biscuit
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Creamy Ivoire Blonde Sand Dollar Snowbound
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Accessible Beige Whole Wheat Bagel Camelback Basket Beige

Lots of beige and cream – all good colors.  And, of course, we are now enjoying a resurgence of all things gray – it’s the “new black,” so to speak.  But, what’s in store for 2011?

Colors for 2011

Many of the paint companies are coming out with their 2011 color forecasts.  In my next few posts, I’ll explore the color predictions for the future starting with Sherwin-Williams color forecast called ColorMix™ 2011. The 39 colors selected by Sherwin-Williams color experts for ColorMix 2011 are grouped into four palettes:

  • Gentle Medley:  Romantic, nostalgic, innocent, lack of pretension, youthful, and a yearning for better times (please!)
  • Bold Invention:  High energy, experimental, expressive; think neon!  The colors of technology.  Thoroughly modern and no boring beige!
  • Restless Nomad:  Eat, pray, love and paint!  These are the exotic colors of far-away lands:  sultry, exotic and primal.
  • Purely Refined:  Classic never goes out of style. Period.  Elegant, clean, tailored and understated defines these updated classic colors.

… to be continued …

>> contact Julie Risman

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Waxing and Caring for Antique Furniture

This is a really great article on how to care for antique wooden furniture. I am also very impressed with The Furniture Connoisseur and the products that they offer.

san antonio furniture design“For centuries, wax has been recognized for its natural protective qualities. Used throughout history by craftsmen, wax provides surface protection and enhances the inherent beauty of wood.

“Furniture wax should never be considered a protective finish, but rather as a protective barrier, providing added wax protection to a finish or substrate from such things as moisture, dust and airborne pollutants.”  [read more from Wax and Caring for Antique Furniture]

contact Julie Risman

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Inside Story Design in San Antonio Express-News feature

This article was written by Megan Stacy, and first appeared in the San Antonio Express-News on July 11, 2010.

SPACES: From candy factory to living space (3rd of 3 posts)

loft decorating san antonio

Modern kitchen featuring stainless steel appliances is set amid original wood beams.

“Ann Allega says there are 20 to 30 places to visit within a 10-minute walk from their home. Following in the British tradition, they’ve adopted nearby Beethoven’s beer garden as their ‘local,’ or neighborhood pub.

“They often cycle to restaurants and stores and have been impressed by the amount of activities available for children. ‘We think urban living is something everyone should try,’ Philip Allega says.”

questions about interior design for lofts? contact Julie Risman.

san antonio loft interior design

Mexican tiles line the front of the steps leading into the basement.

“Ann Allega says that without the guidance of a professional interior decorator she might have, at best, duplicated what she saw in magazine pictures.

“The Allegas drafted a detailed Request for Proposal and mailed it to several interior decorators before choosing one. ‘A decorator was able to broker the differences in our tastes,’ Philip Allega says, which meant decisions were made quicker and with fewer disputes.

san antonio loft interior design

Flowers in the kitchen add a splash of color to the open floor plan.

“Because of the open floor plan, Ann describes the house as ‘one big giant room.’ She knew that with a 4-year-old son, the open plan had the potential to turn into one giant playroom. To avoid this, the Allegas designated play areas equipped with storage. A table in the living room provides plenty of space for creative play, while two large baskets beneath are within easy reach to store toys. The unused space beneath the staircase also serves as an out-of-the-way play area.

“The Allegas’ decorator, Julie Risman, believes in taking inspiration from architecture. The Allega home is a modern loft in a 100-year-old structure. To play off this juxtaposition, Risman deliberately placed the sleek, flat screen TV against the exposed original masonry in the home. The architecture drove small details too – Risman wrapped the TV cords in galvanized casing to mimic the exposed air conditioning duct running above the living area.”

contact Julie Risman

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Loft interior featured in San Antonio Express-News

This article was written by Megan Stacy, and first appeared in the San Antonio Express-News on July 11, 2010.

SPACES: From candy factory to living space (2nd of 3 posts)

interior decorator san antonio loft

A row of cowboy hats on the headboard in the master bedroom is a decidedly Texan touch for a bed neatly made up with throw pillows upholstered in the Union Jack flag.

“The Allegas purchased the loft sight-unseen while abroad but wanted to move into a home ready for living. They hired Julie Risman of The Inside Story Design and began what Risman calls a ‘digital design relationship.’

“’They wanted something easy, fun and modern,’ she says. By the time the Allegas moved in, 80 percent of the home design was complete, all conducted via e-mail and phone calls. Risman calls the design ‘an homage to where they’ve been and where they come from.’ For example, the living room is anchored by a contemporary burnt orange leather couch, which reminds the couple of their connection to the University of Texas at Austin, where they met.

for more information on interior design for lofts, contact Julie Risman

loft interior design san antonio

An art piece from France hangs in the dining room.

“A black leather lounge chair reclines in one corner beneath a picture of Philip’s favorite London bridge and of a poster advertising the New Orleans Jazz Festival. The staircase to the basement level is lined with framed Fiesta posters, each from a year representing a milestone: Philip’s first Fiesta, the year they fell in love with the Southtown area, the year they moved to San Antonio.

“The couple’s 4-year-old son, Austin, has a bedroom in the basement. The room is whimsically decorated with furniture painted with images from The Adventures of Tintin, a cartoon series wildly popular in Europe. Having experienced different ways of living on their travels, the Allegas are happy to have landed in an urban space with a vibrant social community.”

…to be continued…

contact Julie Risman

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Inside Story Design client featured in San Antonio Express-News

This article was written by Megan Stacy, and first appeared in the San Antonio Express-News on July 11, 2010.

SPACES: From candy factory to living space (1st of 3 posts)

san antonio loft decorator

The bottom floor of an old building at Judson Candy Factory Lofts is the home of Ann and Philip Allega. The building was an Italian grocery owned by the Granieri family.

“Take a tour of Ann and Philip Allega’s downtown loft and it won’t take long to figure out what this couple is all about. There’s the row of cowboy hats on the headboard in the master bedroom — a decidedly Texan touch for a bed neatly made up with throw pillows upholstered in the Union Jack flag. The Allegas are travelers, food lovers and cultural explorers who most recently called London home.

“Last year they moved to San Antonio — Ann Allega’s hometown — wanting an urban lifestyle in a part of the city they had learned to love on previous visits.

for more information on decorating a loft, contact Julie Risman.

“The home they bought is part of the Judson Candy Factory Lofts redevelopment project on South Flores Street. Their home is not in the old factory but in a property next door, which dates to the 1890s and housed an Italian grocery store owned by the Granieri family.

loft interior decorator san antonio

The living room is anchored by a contemporary burnt orange leather couch, which reminds the couple of their connection to UT-Austin, where they met.

“The 2,000-square-foot loft nods to the building’s history. One long wall was left untouched, exposing original 18-inch-thick red brick masonry. Caliche walls in the loft’s basement also were undisturbed.

“But the rest is thoroughly modern, with sleek finishes of glass, wood and cement. ‘Even though the building is 100-some years old, the place is new,’ Ann Allega says.”

…to be continued…

contact Julie Risman

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Inside Story Design Client Featured in SA Express News

The Inside Story Design Featured in “Spaces” Section of the July 11th San Antonio Express News

I am thrilled to let you know that my work will be featured in an article in the Sunday, July 11th edition of the SA Express News.

san antonio lofts interior designI recently decorated one of the fabulous urban lofts that were converted from the former Judson Candy Factory on South Flores Street. If you haven’t been down to this part of town, be sure to plan a visit – there’s just so much to see and do.

Near both the King William Historic District and the Blue Star Arts Complex, South Flores Street has become a hip, close-in destination for folks seeking a convenient and fun lifestyle in San Antonio. There are new lofts, restaurants and nightclubs popping up everywhere.

Here’s a bit of the history behind these newly created urban lofts:

decorating lofts san antonio“In 1899, E.J. Jenner opened Jenner Manufacturing Company on St. Mary’s Street. Mr. Jenner made hard stick candies, peanut brittles, and 5 cent fudge bars.

“About 1920, J.W. Judson’s bought part ownership of the company and constructed a new factory on part of the old Judson’s Ranch, which is now South Flores Street. In the 30′s Judson’s added a starch department and started manufacturing candies with jelly and creme centers such as fruit drops, orange slices, jelly beans, and Easter eggs. Mr. Judson’s started experimenting, trying to make a more tart jelly bean, and ended up inventing the “sour”, one of the company’s most popular items.

“In 1941 J.W. Judson’s sons purchased the company from Mr. Jenner and in 1945 changed the name to Judson’s Candies. Mr. Judson’s son George Jr. then invented another popular item, the chewy praline. Pralines used to be prepared by scooping the batter with an ice cream scooper, however that process was mechanized using an electronic depositor developed by Southwest Research Institute.

“In 1965 Judson’s Candies was purchased by the Pearl Brewing Company, which was then purchased by Southdown, Inc. In July 1983, Judson’s Candies was purchased by Basil Atkinson Sr., Dr. Basil Atkinson Jr., and the family, and renamed Judson-Atkinson Candies. In 1998, the company moved from South Flores to its present location on Dividend.” (Sweet City Living)

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Art Nouveau Furniture (part 3)

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Henri ven de Velde chair

“Art Nouveau was a response to the radical changes caused by the rapid urban growth and technological advances that followed the Industrial Revolution.” (National Gallery of Art-US)

“The Art Nouveau style appeared in the early 1880s and was gone by the eve of the First World War. For a brief, brilliant moment, Art Nouveau was a shimmering presence in urban centers throughout Europe and North America.

“It was the style of the age – seen on public buildings and advertisements, inside private homes and outside street cafés – adorning the life of the city.

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Victor Horta Art Nouveau staircase

“In furniture, its early exponents were the Belgian architects Henry van de Velde and Victor Horta, who furnished the interiors of their buildings with pieces designed to complement the sinuous forms of the architectural settings.

“The noted glassmaker Émile Gallé also designed some of the most opulent Art Nouveau furniture, in which plant and flower motifs predominate. Louis Majorelle produced luxurious furniture, again inspired by forms from nature, and went on to become a notable Art Deco designer after World War I (1914-1918).

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Hector Guimard, Paris Metro entrance

“In France, the architect Hector Guimard, creator in 1900 of the graceful Métro (subway) stations in Paris, also designed similarly asymmetrical, heavily carved free-form furniture.

“The Scottish architect Charles Rennie Mackintosh produced, in his unique interpretation of Art Nouveau, chastely beautiful furniture. Characteristic pieces are of oak painted white, with elegant inlays and appurtenances of metal or stained glass in curvilinear, abstracted plant forms.” (France Era Co.)

Art Nouveau Furniture References:

>> contact Julie Risman


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Charles Mackintosh fireplace

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Art Nouveau Furniture (part 2)

alamo heights interior design

Siegfried Bing

Siegfried Bing began his career as a collector of Japanese Art and he played an important role in the diffusion of the Asian Art among Art Nouveau artists, as well as among many artists representing other styles, such as the Symbolist, the Neo- and Post-Impressionists and later the Expressionists.

“Around 1894, Bing was organizing art salons, workshops and exhibitions for contemporary artists and decorative designers. He followed by showing furniture, art works, paintings and sculptures all in the same exhibition hall: La Maison Bing (the House of Bing).

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L'Art Nouveau - La Maison Bing

“By 1895, the name of the Gallery was known as L’Art Nouveau – La Maison Bing. Siegfried Bing aimed to enhance and develop in particular the emerging, innovative and modern Art Nouveau style. This new artistic style included fine arts, applied arts and interior decoration and represented the original concept of the “total work of art“, harmoniously aiming to the abolition of ranks of value between the different types of arts.

“In his gallery “L’ Art Nouveau – La Maison Bing”, he then exhibited and sold contemporary works, furniture, glass wares, ceramics, jewelry, such as glass works of Louis C. Tiffany or ceramics and jewelry of Henri van de Velde.” (Senses Art Nouveau)

… to be continued …

Art Nouveau Furniture References:

>> contact Julie Risman

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Art Nouveau Furniture (part 1)

art nouveau san antonio“Art Nouveau is style of decoration and architecture which developed in the 1880s and 1890s. The name derives from the Maison de l’Art Nouveau, an interior design gallery opened in Paris in 1896, but in fact the movement had different names throughout Europe.

“In Germany it was known as ‘Jugendstil‘, from the magazine Die Jugend (Youth) published from 1896; in Italy ‘Stile Liberty’ (Liberty Style, after the London store Liberty & Co.) or ‘Stile Fioreale’; in Spain ‘Modernista’, and in Austria ‘Sezessionstil‘.

“In France it was variously called ‘Style Jules Verne’, ‘Le Style Métro‘ (after Hector Guimard’s iron and glass subway entrances), Art Belle Époque, and Art Fin de Siècle. Paradoxically, the English term ‘Modern Style’ was often used, emphasizing the English origins of the movement.” (The Artchive)

“Directly fostered by the Arts and Crafts movement, Art Nouveau flourished between the 1890s and 1910 in all of the arts. Art Nouveau may be characterized as a style derived from organic forms that convey a sense of movement, exemplified by the famous “whiplash” curve found in many Art Nouveau works.” (France Era Co.)

art nouveau style san antonio“In design Art Nouveau was characterized by writhing plant forms and an opposition to the historicism which had plagued the 19th century. There was a tension implicit throughout the movement between the decorative and the modern which can be seen in the work of individual designers as well as in the chronology of the whole. Its emphasis on decoration and artistic unity links the movement to contemporary Symbolist ideas in art, as seen in the work of the Vienna Secessionists, but the movement was also associated with Arts and Crafts ideas and, as such, Art Nouveau forms a bridge between (William) Morris and (Walter) Gropius.” (The Artchive)

… to be continued …

Art Nouveau Furniture References:

>> contact Julie Risman

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Choosing the Correct Size Oriental Rug for your Stair Runner

The following is the last in a series of wonderful articles from Azerbaijan Rugs – this one on selecting the proper size of an Oriental Rug for your stairs. Enjoy!

san antonio oriental rug

“Most runners measure about 2’6″ wide. Runners can be as narrow as 2′ or wider than 3′, but as widths diverge from 2’6″, the availability and selection of runners decreases.  There is also a slight tendency for runner width to increase as runner length increases. It is not uncommon, for instance, to find 18′ or 20′ runners that measure 2’8″ or 2’9″ in width.

Older runners (rugs from the 1920′s and 30′s) were often wider, often wider even than 3′. It is not unusual to find an older Hamadan or Kurdish runner that has been reduced in width by having guard borders removed from the sides to make it fit in a space in an American home. It is rare to see new runners longer than 22′ or 24′.

Stairs consist of treads and risers.

Stairways are almost always laid out so that risers are of equal height. A difference of 1″ in the height of a riser in the middle of a stairway is huge – you would constantly be stumbling on this step going up or down stairs.

Choose the right size rug for any room with help from Julie Risman.


In contrast, a difference of 1″, 2″, or even 3″ in the depth of a tread somewhere in the stairway is almost unnoticeable. Treads can be of several different depths in the same stairway. It is not uncommon for there to be one or two wider, deeper treads at the bottom of the stairway.

Quite often a tread-and-riser combination will work out to be very close to 18″ total (10″ for the tread and 8″ for the riser). Thus a stairway with 12 tread-and-riser combinations would need 12 combinations times 18″, plus an allowance for how you will start/end the rug.

But remember that treads can vary in depth! Thus, to accurately estimate the length of runner needed to cover the stairs you need to measure 1) the depth of each tread (in case they vary) and 2) the height of each riser.

By far the easiest way to measure the runner length you need is to use a long, flexible 50′ or 100′ tape measure. Tape the end of the tape measure at the top of the stairs where you want the runner to start, then flow the tape measure down the stairs simulating the path the runner will take. Take the length from the point where you want the runner to end.

Be sure to measure the risers on the diagonal from the “nose” or lip of one tread to the point below where the bottom of the riser and the next tread meet. This is because, when installed, the runner will flow from the nose of one tread to the corner formed by the riser and tread below. The runner doesn’t get tucked under the nose tight to the riser.

Some adjustments to the rough estimate of length may need to be made, depending upon where the  runner begins and/or ends on the stairs.  There are several different ways to begin/end the runner:

san antonio oriental rug

Fig. 1:  The rug begins on the landing at the top of the stairs and continues onto the floor at the bottom of the stairs. There are two treads (we don’t count the landing at the top as a tread) and three risers.

You must add the amount the rug extends on the top landing and on the floor at the foot of the stairs to the total for treads and risers covered. Assuming 10″ treads, 8″ risers, and 12″ of runner on the top landing and on the floor at the foot of the stairs, this arrangement needs a runner that measures about 68″, not counting fringe.

NOTE there is a SAFETY ISSUE with this arrangement. You must have enough runner extending onto the top landing to make the landing safe. A mere 6″ or 8″ of runner on the top landing is not nearly enough: this is a foot-catcher and an accident (and/or lawsuit) waiting to happen.

alamo heights oriental rug

Fig. 2:  The rug begins just under the “nose” or overhang of the landing, and ends at the bottom of the bottom riser. This is probably the most common runner arrangement.

The original fringe is left on the rug, NOT cut off! The fringe is tucked behind the rug at both the top and bottom.

In this case the runner needs to cover two treads and three risers. This runner needs to measure about 44″.

san antonio oriental rug

Fig. 3:  In this arrangement the runner begins as in Fig. 2, but ends on the bottom tread. The fringe hangs down from the nose of the bottom tread (this is the least common end arrangement). The runner covers two treads and two risers. It needs to be about 36″ long.

Of course, other arrangements are possible… you can combine the top of Fig. 1 with the bottom of Fig. 2 or Fig. 3, etc., etc.

Start by measuring the stairs, and then think about how you might want to begin and end the runner.  Considering these options will help you determine a runner size to search for. Unfortunately, because Oriental rugs are all handmade and not cut-to-length, you probably won’t find a runner that you really like in precisely the size you need.

All is not lost! First find a runner that you like, and that’s as close as possible to the theoretical size you need. Then adjust the installation of the rug to take up extra length if the rug is too long (as in Fig. 1), or to cover fewer risers (as in Fig. 3). It’s just that easy!

NOTE: It is not so easy to adapt an Oriental runner to fit on circular stairs or stairways with curved sections and pie-shaped treads, and the results are rarely satisfactory. It would be much better to install a runner on the straight section(s) of the stairs, and carpet the turns with wall-to-wall.

Practical designs and colors for the stairs

Stair runners usually get heavy traffic, and once installed, it can be many years before a runner is removed for a complete cleaning. When it comes to concealing dirt, the most camouflaging design is the darkest and busiest pattern you can find.

Try the penny test: close your eyes and drop a penny on the rug. If it takes a second or two to find it, the rug is perfect! Its design and color combination will hide years and years of traffic.

Medallion designs on the stairs

Rug buyers are sometimes worried about using runners with repeated medallion designs on the stairs because almost never will the medallions fall regularly on the treads. Surprisingly, this is actually not much of an issue.

In fact, it does not look odd to have the first medallion fall on a tread, the next between a tread and riser, and so on.  You will be able to see and appreciate the intention of the design whether climbing or descending the stairs.”  (Azerbaijan Rugs)

Oriental Rug References:

>> contact Julie Risman

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